About us
A professional hub for people who make live television
reportigo brings together working broadcast engineers, directors and operators to teach the craft of live studio production across the United Kingdom.
Why reportigo exists
Too many productions learn integration, lighting and gallery routines on air, in front of an audience. We built reportigo to give crews a safe studio where mistakes are cheap, and good habits are formed before the red light comes on.
Our curriculum follows the real chain of a show: wiring and routing equipment, shooting with dynamic cameras, treating the room acoustically, lighting talent and sets, and running news programmes, interviews and live entertainment with dependable processes.
Whether you run a regional newsroom, a corporate streaming studio or a production company, we adapt every course to your equipment and your format.
Our principles
What guides every course we teach
Reliability first
A live show has one take. We teach checklists, redundancy and calm recovery so that failures never reach the viewer.
Learn by doing
Most of every course is spent on the studio floor and in the gallery, working with the same kit used on air.
Crew over ego
Great television is a team sport. We train clear communication between camera, sound, lighting and gallery.
How we teach
From first brief to a repeatable show-day routine
- DiscoveryWe start with your format, your crew and the kit already in your studio.
- PracticeShort theory blocks followed by timed live exercises on real equipment.
- ReviewEvery rehearsal is recorded and reviewed shot by shot with your tutor.
- HandoverYou leave with documented workflows and checklists your team can reuse.
Meet the tutors
The people you will learn from
Every tutor is a practising professional who still works on live programmes.
Amelia Hartley
Head of Studio Engineering
A calm gallery is a fast gallery. We build habits before we build rigs.
Rohan Mehta
Senior Vision Mixer
Cut on the beat of the conversation, never on panic.
Chloe Bennett
Lighting Director
Good light is invisible. Bad light is the only thing viewers remember.
Marcus Adeyemi
Camera Supervisor
Every move has a reason, and every reason is in the rundown.
What you get
Take full control of your studio and gallery.
Tell us about your crew and your kit, and we will suggest the right course, workshop or audit.
Get startedReal studio cameras and a working gallery
Exact rundown timing on every rehearsal
Broadcast-grade audio and intercom
Flexible dates, with no compromise on air